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・ The Pulsars
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・ The Pulse (shopping mall)
・ The Pulse (Sirius XM)
・ The Pulse (Sirius)
・ The Pulse EP
・ The Pulse EPs
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・ The Pulteney Association
The Puma Blues
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・ The Pump House Gang
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・ The Punch Bowl (1959 film)
・ The Punch Bowl (album)
・ The Punch Bowl, Mayfair
・ The Punch Line
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The Puma Blues : ウィキペディア英語版
The Puma Blues

''The Puma Blues'' was a comic book written by Stephen Murphy and drawn by Michael Zulli. It ran from June 1986 to somewhere in the beginning of 1989, stretching over 23 regular issues and a single "half-issue" minicomic.
Published first by Aardvark One International and later by Mirage Studios, the story is set around the millennium. and follows Gavia Immer, a governmental fauna agent, as he goes through an existential dilemma while watching videos his father left for him after his death.
The comic book's detailed artwork by Michael Zulli, which focused primarily on wildlife and nature, was superposed to a loose narrative with a druggy, dreamy, new age apocalyptic atmosphere. This de-structuralizing of the main narrative increased dramatically in later issues, with the second half of the series often taking the form of illustrated prose poetry within an associative narrative.
==Storyline==
Issue #1 begins in March of the year 2000 (fourteen years in the future, by the comic's original publication date). It is a world of space shuttle passenger service, humanoid robotic workers, fully armored taxicabs, and children in gas masks—and it is a world without the Bronx. It seems that on April 20, 1995, a white supremacist group attempted to kidnap the President during a visit to New York City. During the ensuing gunplay, a member of the group detonated a nuclear device, and five years later the Northeastern United States is still in recovery.
U.S. Agent Gavia Immer (sharing a name with the common loon) is stationed by the U.S. military in a cabin in the woods of the Quabbin Reservoir in Massachusetts. His new job consists of displacing mutated animals ("animutes" or "biomutes") and collecting pH samples of the reservoir, which is frequently limed to compensate for the effects of acid rain.
Gavia is alone at this cabin (save for an occasional trespasser and the puma that stalks the mountains above the reservoir) but is in contact with his superiors through a video conferencing system, which he also uses to speak to his mother.
Haunted by his unresolved relationship with his late father, four years gone, he spends many nights watching a series of videotapes his father made documenting his search for truth—something Gavia also desperately seeks.
Among the questions needing answers is that of a colony of flying manta rays—the principal "animute" inhabiting the reservoir. Although the government is aware of their existence, of chief concern at the story's outset is the origin of their mutation, as well as the importance of keeping the creatures a secret.
Starting with issue #21 the story skips two years ahead, and follows Gavia as he leaves the service and begins to travel cross-country.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「The Puma Blues」の詳細全文を読む



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